Kabuki literally means “sing, dance, skill.” A shrine dancer named Okuni is credited with giving birth to Kabuki by performing a series of dances in a dry riverbed in Kyoto. Early Kabuki (Onna Kabuki) consisted mainly of dance performances done by women.

All-male casts became the norm after 1629, when women were banned from appearing in kabuki due to the prevalent prostitution of actresses and violent quarrels among patrons for the actresses' favors. This ban failed to stop the problems, since the young male (wakashū) actors were also fervently pursued by patrons.

Kabuki (歌舞伎, かぶき) is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers.

Kabuki plays are about historical events and moral conflict in relationships of the heart. The actors speak in a monotone voice and are accompanied by traditional instruments. The Kabuki stage is equipped with several gadgets, such as revolving stages and trapdoors through which the actors can appear and disappear.